OK, we try to stay clear of anecdotes, but hey: in 1959, as a freshman at Bates College in Lewiston, Maine, the thrifty college had drained its Winter Carnival coffers by the time we bought coffee and donuts. What would we ever do for entertainment? All right, someone said, "I know this girl singer down in Boston that I can get for $150, and she'll even pay her transportation. How bad could she be?" But then Joan Baez's crystalline sorprano set us all back on our heels. So when we saw her on our black and white TV screens four years later, teaming with another "Who?" named Bob Dylan at what has been known since as the Martin Luther King speech on the Washington mall in August, 1963, we had the first of many "where were you moments?" Three months later, we'd have another one....
Bob Dylan's long-awaited memoir, the Bob Dylan Chronicles, has arrived, folks, curiously elbowing its way through the here-look-at-me Bush/Kerry screeds. As Newsweek's cover promises, "Bob Dylan Opens Up." If so, it's about time. Newsweek's David Gates picks up, seamlessly, from where he left off with his last interview with Dylan in 1997:
"Dylan, 63, looks younger and healthier than he did when I spoke with him in 1997, the year his spooky, world-weary album "Time Out of Mind" re-established him as a vital contemporary—after what he claims was a quarter century of artistic "downward spiral"—and introduced him to a new generation of listeners. Back then, he was just recovering from a near-fatal infection of the tissues around his heart. Now, sitting at a small table with a view of the parking lot, sad little suburban trees and a lowering sky, he seems like a wiry kid eager to get outdoors—but he's also perfectly happy, as before, to shoot the breeze about music. "When I was talking to you earlier," he begins—as if it had been a couple of hours ago, rather than seven years. He gives a shout-out to Elvis Costello ("'Everyday I Write the Book'—I just did that") and to Carole King: "'You've Got a Friend' on some level means more to me than a lot of my songs do." He testifies to his admiration for Bing Crosby and for Willie Nelson, his informed skepticism about hip-hop."