New England White -- A Novel by Stephen L. Carter, Knopf '07, $26.95, 356 pages, ISBN #0375413626.
Several years ago, the publisher Knopf took a bold gamble in offering a seven-figure advance to a non-fiction writer largely unknown outside academic circles, asking him to write two novels about black America. Not just black America really but the small and growing class of African American intellectuals and readers of serious fiction. Good publishers succeed because they skate not to where the puck is but where the puck will be. Knopf knew that the number of black college graduates had been growing by leaps and bounds and would continue to grow.
So it annointed Yale law professor Stephen L. Carter as an African American John Updike or Philip Roth, if you will. Carter, then in his mid-40s, had written about law and religion, most notably his The Culture of Disbelief, which Bill Clinton discovered on a summer vacation and held aloft at Washington's national prayer breakfast as a book every American should read. But as facile a writer as Carter is, the fact that he can craft an admirable non-fiction narrative says little about his ability to write a good novel.
As it turned out, Knopf's was a smart gamble. Carter's first work was The Emperor of Ocean Park, referring to the tiny seaside park in the town of Oak Bluffs on Martha's Vineyard and the black aristocracy who live there. The book did well not only in critical acclaim but in sales. Now Carter is back to finish his bargain with Knopf with New England White.
Blacks, having been on the outside looking in for so long, would tend to be compassionate and inclusive once their time had come, wouldn't you think? No, what they'd be is human, with the inbred need to create pecking orders and by-invitation-only clubs, not to keep out whites but the less worthy of their own race.
Race, in fact, suffuses every page of New England White. We meet such women's clubs as the Ladybugs and the mysterious Empyreals, a men's society with Knights of Columbus-like secrecy and driven by power to advance the "darker nation" that exists within the "paler nation." Not that the African American protagonists don't have cordial and productive relations with their white brothers and sisters, but they've learned that when the chips are down, whites will follow human instinct and protect their own.
Carter has taught law in New Haven for a quarter-century, so reviewers see the college he depicts as a lightly-disguised Yale, a characterization Carter denies. It doesn't help his case that the book cover is a close-up of what looks for all the world like Yale's ghastly Harkness Tower, a building architect Frank Lloyd Wright said he'd choose to live in if he went to Yale since then he wouldn't have to look at its jagged spires.
Carter's protagonists are Lemaster Carlyle, who made a cameo appearance in his first book. The driven Barbadian academic heads the university in the seaside town of Elm Harbor and is married to Julia, who is associate dean of the university's divinity school. Around them swirl a convoluted conspiracy to cover up a murder three decades earlier, which has led to a recent murder of an economics professor, Kellen Zant, who was formerly Julia's lover. Before his death, Zant creates an intellectual scavenger hunt in pursuit of a theoretical economic construct, a conceit by which Carter helps to advance his reputation as a thinking person's novelist.
Into the vortex is drawn the Carlyle's daughter, Vanessa, as well. Not having the head for mysteries, I won't even characterize Carter's plot development, only to say that it grew too complex for me to keep in touch with.
Far more interesting, from my point of view, is his dramatization of what drives the black upper class. Books in which a member of an ethnic group characterizes that group are too often filled with self hatred or viewed through rose colored glasses. Carter's is neither, which makes his characters believable. They have been deeply scarred by not daunted by their heritage and are clawing their way determinedly up the ladder, using all the talent, guile, resourcefulness and mendacity present in their human gene pool.
Stephen L. Carter has staked out a claim as chronicler of his race and as an ambassador to white America. We should look ahead with interest to his future books in this genre.